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The
pattern of creationThe word "mandala" is from the classical Indian language of Sanskrit. Loosely translated to mean "circle," a mandala is far more than a simple shape. It represents wholeness, and can be seen as a model for the organizational structure of life itself--a cosmic diagram that reminds us of our relation to the infinite, the world that extends both beyond and within our bodies and minds. Describing both material and non-material realities, the mandala appears in all aspects of life: the celestial circles we call earth, sun, and moon, as well as conceptual circles of friends, family, and community. "The
integrated view of the world represented by the mandala, while long
embraced by some Eastern religions, has now begun to emerge in Western
religious and secular cultures. Awareness of the mandala may have
the potential of changing how we see ourselves, our planet, and
perhaps even our own life purpose."
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The Mandala
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On our planet, living things are made of cells and each cell has a nucleus -- all display circles with centers. The crystals that form ice, rocks, and mountains are made of atoms. Each atom is a mandala.
Flowers, the rings found in tree trunks and the spiraling outward and inward of a snail's shell all reflect the primal mandala pattern. Wherever a center is found radiating outward and inward, there is wholeness--a mandala. |
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Mandalas in
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A
cross-cultural pattern In the Americas, Indians have created medicine wheels and sand mandalas. The circular Aztec calendar was both a timekeeping device and a religious expression of ancient Aztecs. In Asia, the Taoist "yin-yang" symbol represents opposition as well as interdependence. Tibetan mandalas are often highly intricate illustrations of religious significance that are used for meditation.
In ancient Tibet, as part of a spiritual practice, monks created intricate mandalas with colored sand made of crushed semiprecious stones. The tradition continues to this day as the monks travel to different cultures around the world to create sand mandalas and educate people about the culture of Tibet.
A world away, the American Navajo people also create impermanent sand paintings which are used in spiritual ritualsin much the same way as as they are used by Tibetans. A Navajo sandpainting ritual may last from five to nine days and range in size from three to fifteen feet or more. Learn
more about Tibetan art and culture
Native American teepees are conical shapes built around a pole that represents the "axis mundi" or world axis. Buckminster Fuller expanded on the dome design with his famous geodesic dome structures. The dome structure has the highest ratio of enclosed area to external surface area, and all structural members contribute equally to the whole--a great structural representation of a mandala! |
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Experiencing
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Creating
unity The Mandala Project workshops for children include the creation of a group mandala quilt (see photo at left). The students enjoy creating individual mandalas that are incorporated into a larger work of art. Creating a group mandala can be an enjoyable activity with friends. It can also provide an excellent closure to an event or workshop. These photos of a beach rock mandala were taken by Mary Ann Rolfe. The mandala was made at the culmination of a week long workshop in August 1998 at Findhorn in the Northern part of Scotland.
"We all brainstormed to decide on a closing project to celebrate the week and the wonderful connections we had made with people from all over the world, the Findhorn Foundation and with ourselves. "At this lovely North Sea beach, instead of sand we found incredible washed stones of every size and color. So, we began this impromptu creation knowing that part of the beauty would be in its temporary nature as the tides washed it away." See Mary Ann's personal mandala. More
examples of group mandalas: |
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More
than a
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Micro
to macro
Representing the universe itself, a mandala is both the microcosm and the macrocosm, and we are all part of its intricate design. The mandala is more than an image seen with our eyes; it is an actual moment in time. It can be can be used as a vehicle to explore art, science, religion and life itself. The mandala contains an encyclopedia of the finite and a road map to infinity. Carl Jung said that a mandala symbolizes "a safe refuge of inner reconciliation and wholeness." It is "a synthesis of distinctive elements in a unified scheme representing the basic nature of existence." Jung used the mandala for his own personal growth and wrote about his experiences. It is said by Tibetan Buddhists that a mandala consists of five "excellencies": The
teacher
The message
The
audience The site The time
An audience or "viewer" is necessary to create a mandala. Where there is no you, there is no mandala. (from: You Are the Eyes of the World, by Longchenpa, translated by Lipman and Peterson). |
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| See Links for more information on the mandala |